{"id":419,"date":"2026-04-29T12:07:15","date_gmt":"2026-04-29T09:07:15","guid":{"rendered":"https:\/\/clujmodern.ro\/?page_id=419"},"modified":"2026-05-05T16:37:47","modified_gmt":"2026-05-05T13:37:47","slug":"21-mai","status":"publish","type":"page","link":"https:\/\/clujmodern.ro\/?page_id=419","title":{"rendered":"21 mai"},"content":{"rendered":"\n

Joi, 21 mai 2026<\/strong>, ora 10 ANMGD, sala 502<\/strong><\/p>\n\n\n\n

Simpozionul Festivalului Cluj Modern, edi\u021bia a XVI-a, \u201eAnivers\u201d, 2026<\/strong><\/p>\n\n\n\n

Sunetul prezentului: discursuri, stiluri \u015fi practici interpretative \u00een muzica contemporan\u0103<\/em><\/p>\n\n\n\n

Realizat \u00een parteneriat cu Centre for Research in Central and East European Music, simpozionul deschide un spa\u0163iu de dezbatere a statutului \u015fi rolului muzicii contemporane \u00een contextul unei societ\u0103\u0163i \u00een permanent\u0103 schimbare, \u00een care era digital\u0103 a generat efecte care cer recontextualizarea \u015ftiin\u0163elor umaniste \u015fi, mai ales, a domeniilor culturale. Manifestarea se adreseaz\u0103 at\u00e2t speciali\u015ftilor deja consacra\u0163i, c\u00e2t \u015fi celor afla\u0163i la \u00eenceput de carier\u0103, iar tematica generoas\u0103 are drept scop includerea unor teme particulare c\u00e2t mai diverse, ce vizeaz\u0103, \u00een egal\u0103 m\u0103sur\u0103, abord\u0103rile muzicologice, componistice \u015fi interpretative.<\/p>\n\n\n\n

Joi, 21 mai 2026, <\/strong>ora 19, ANMGD, Amfiteatrul \u201eCornel \u021a\u0103ranu\u201d<\/p>\n\n\n\n

\u201ePORTRET DE GENERA\u021aIE\u201d<\/strong><\/p>\n\n\n\n

Ansamblul AdHoc<\/strong><\/p>\n\n\n\n

Raluca Ilovan \u2013 flaut, Aurelian B\u0103can \u2013 clarinet, Rare\u0219 S\u00e2ngeorzan \u2013 fagot, Melinda B\u00e9res \u2013 vioar\u0103, Francis Gallagher \u2013 viol\u0103, Ion Storojenco \u2013 violoncel, Robert Gy\u00f6rgy \u2013 contrabas, Amalia Erd\u00f6s \u2013 org\u0103, Horea Haplea, Eva Butean, Mira Gavri\u0219 \u2013 pian<\/p>\n\n\n\n

Invita\u021bi:<\/p>\n\n\n\n

Diana \u021augui<\/strong> \u2013 sopran\u0103, Mihaela Maxim<\/strong> \u2013 mezzo-sopran\u0103, Matei Pop<\/strong> \u2013 dirijor<\/p>\n\n\n\n

Conducerea muzical\u0103 \u0219i prezentarea programului \u2013 Adrian Pop<\/strong><\/p>\n\n\n\n

Doina Rotaru \u2013 Libellule<\/em> (2000) pentru flaut piccolo solo \u2013 5\u2019<\/p>\n\n\n\n

Adrian Pop \u2013 Viziune<\/em> (2006) \u0219i \u0218i-acum dormi<\/em> (2014) pentru sopran\u0103 \u0219i pian pe versuri de Ion Minulescu \u2013 9\u2019<\/p>\n\n\n\n

Viorel Munteanu \u2013 Neb\u0103nuitele trepte<\/em> (2007) pentru sopran\u0103 \u0219i ansamblu pe versuri de Lucian Blaga \u2013 9\u2019<\/p>\n\n\n\n

Gy\u00f6rgy Selmeczi \u2013 Trei piese pentru pian solo<\/em> (2000) \u2013 7\u2019<\/p>\n\n\n\n

         (B.A.C.H. \u2013 HOQUETUS \u2013 HOMMAGE a R.SCH<\/em>.)<\/p>\n\n\n\n

Adrian Iorgulescu \u2013 Viziune<\/em>, Urme<\/em>, Pastoral\u0103<\/em>, Mar\u0219 for\u021bat<\/em> din ciclul Despre noi<\/em>, 6 c\u00e2ntece de dragoste<\/em> (1984) pentru mezzo-sopran\u0103, clarinet \u0219i violoncel pe versuri de Adrian Iorgulescu \u2013 9\u2019<\/p>\n\n\n\n

Irina Hasna\u0219 \u2013 Cosmogonie II – Br\u00e2ncu\u0219i<\/em> (2026) pe versuri de Nichita St\u0103nescu pentru mezzo-sopran\u0103 \u0219i pian – <\/strong>p.a.a. \u2013 7\u2019<\/p>\n\n\n\n

C\u0103lin Ioachimescu \u2013 Jokers<\/em> (2008) pentru clarinet, violoncel \u0219i pian \u2013 10\u2019<\/p>\n\n\n\n

Fredrik Schwenk \u2013 Ricordanze<\/em> (2026) pentru ansamblu –<\/strong> p.a.a. \u2013 9\u2019<\/p>\n","protected":false},"excerpt":{"rendered":"

Joi, 21 mai 2026, ora 10 ANMGD, sala 502 Simpozionul Festivalului Cluj Modern, edi\u021bia a XVI-a, \u201eAnivers\u201d, 2026 Sunetul prezentului: discursuri, stiluri \u015fi practici interpretative \u00een muzica contemporan\u0103 Realizat \u00een parteneriat cu Centre for Research in Central and East European Music, simpozionul deschide un spa\u0163iu de dezbatere a statutului \u015fi rolului muzicii contemporane \u00een contextul […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-419","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/clujmodern.ro\/index.php?rest_route=\/wp\/v2\/pages\/419","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/clujmodern.ro\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/clujmodern.ro\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/clujmodern.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/clujmodern.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=419"}],"version-history":[{"count":2,"href":"https:\/\/clujmodern.ro\/index.php?rest_route=\/wp\/v2\/pages\/419\/revisions"}],"predecessor-version":[{"id":434,"href":"https:\/\/clujmodern.ro\/index.php?rest_route=\/wp\/v2\/pages\/419\/revisions\/434"}],"wp:attachment":[{"href":"https:\/\/clujmodern.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}